Analysis of Renaissance Paintings

The foremost among them was its glorification of man instead of God and that man was the gauge of all things and had indefinite potential. The Renaissance started in the city of Florence in Italy, and subsequently expanded into the rest of Italy and afterward into Northern Europe.
Artistically, the Renaissance shaped a completely new approach to express human emotions and ethics by the use of architecture, sculpture and in particular painting. As history reveals, the painters of the Renaissance, like Leonardo da Vinci, Michelangelo, Rembrandt, and many others, did not evaluate their work merely evaluate on the feats of their large number of predecessors. They utilized the new scientific theories of their age and related their points of view to create paintings that reflected practical and realistic images. They mostly painted idealized figures and pictures based on humanistic concepts and principles, which manifested their ideas of a man being separate from God and showed that his environment was a natural occurrence and not the result of a higher power.
The paintings of Leonardo da Vinci, for example, reflect the ideals of humanism and materialism. Leonardo da Vinci often referred to as the Renaissance man, was an expert in a number of fields and had an extensive range of interests. He was not only an artist and musician but also a sculptor, painter, architect as well as a scientist. He dissected the dead bodies of human beings to make the way muscles and bones functioned. His sketchbooks consist of diagrams and operational schemes of flying machine and undersea boats. His famous paintings include Mona Lisa, The Last Supper (which was painted on a plaster wall using oil) and Madonna and Child with Saint Anne.
Leonardo da Vinci’s keen interest in human anatomy leads to the perfection of his paintings.&nbsp.

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